Photo: Manuel Harlan
Reviewed by James Karas
Which of the following are you
unlikely to experience in a production of Antony and Cleopatra: Airplanes
whirring overhead, a baby screaming, cell phones ringing, cat whistles, an actor
kissing a member of the audience?
If you see the production of the
play at Shakespeare’s Globe Theatre in London, you have an excellent chance of experiencing
all of them.
That is what is called “original
practices” in the production of Elizabethan drama at Shakespeare’s Globe. Maybe
airplanes did not fly over the original Globe Theatre and cell phones did not
ring but the rest of the stuff probably happened and more boisterously. We are
talking about the interaction between stage and audience which was almost
surely a vital ingredient of productions then as it is now and a relaxed
approach to the theatre that makes us look like stuffed toys.
It is not that the actors play down to
the yardlings, the several hundred people standing around the stage, rain or
shine. There seems to be a symbiosis created the minute the action begins. They
actors do not discourage it of course. They thrive on it even if many of the
exchanges would seem inappropriate if not worse in a “normal” theatre. For
example, Eve Best as Cleopatra tells us that when Antony is away every man will seem
like an Antony. She looks at a yardling and points a finger at him. He lunges as
if to bite her index finger and gets a laugh. She bends down and gives him a
kiss.
Antony kisses Cleopatra and the
audience whistles in appreciation, admiration or jealousy. I am not sure what that
two-note short-long whistle usually emitted by men at the sights of a pretty
girl denotes on this occasion. Antony, you lucky guy?
The production then manages to be
faithful to Shakespeare and perhaps the way it may have been done four hundred
years ago in front of those boisterous and unruly Jacobeans.
That of course is only a small
part of the production. Director Jonathan Munby wants us to have a robust staging with full appreciation of Shakespeare’s play. Clive Wood as Antony is
very much the virile Roman who exudes manliness in love and war. If he is
besotted by Cleopatra, well, who wouldn't be?
Eve Best is the best in the cast
and the play depends on her to a great extent. She is a mature Cleopatra but
has not ceased being sexually potent, still feline, powerful and frequently
quite funny. She is magnetic in a way that attracts and dangerous in a way that
should frighten most men. Not Antony, of course, as the two of them go to their
destruction.
_________
Antony and Cleopatra by William Shakespeare continues
at Shakespeare’s Globe Theatre, 21 New Globe Walk, London. www.shakespearesglobe.com
No comments:
Post a Comment