Reviewed by James
Karas
Three couples
who were married on the same day, in the same church, by the same parson are
celebrating their silver anniversary. They discover that the parson who performed
the ceremony was no qualified to do so and they are therefore not married.
That is essentially
the plot of J. B. Priestley’s “Yorkshire farcical comedy” (his words) When
We Are Married which is now playing at the Royal George Theatre as part
of this year’s Shaw Festival.
It is a period
piece, of course, written in 1938 but set in that wonderful if largely imaginary
world of Edwardian England. It takes
place in 1908 when women did not have the vote, cohabitation without matrimony
was anathema, respectability was paramount and the sun was always shining..
Priestley has
constructed a very pleasant play with some quite well developed characters,
some satire and a great deal of fun. The cast directed by Joseph Ziegler
deliver the madcap and the witty parts of the play in a well-rounded and highly
entertaining production.
The three
couples that go into stratospheric anxiety and anguish on learning that they
are not married are at Alderman Joseph Helliwell’s (Thom Marriott) well-appointed
Victorian house. He is pompous, self-satisfied and a man with a “past,” as they
used to say. His wife Maria (Claire
Jullien) is attractive and traditional.
Councillor
Albert Parker (Patrick McManus) is stentorian, egotistical, stingy and stupid.
His wife Annie (Catherine McGregor) is the longsuffering victim of this pompous
ass who finds liberation in the knowledge that she never married him.
Herbert Soppitt
(Patrick Galligan) is a henpecked little man who has been driven into the
ground by Clara (Kate Hennig) his sharp-nosed termagant of a wife and been left
with only a distant memory of a fleeting romance that, like the Edwardian
summer, was more imagined than real.
The interaction
among these six produces laughter and merriment that is very well done. But
Priestley has added several relatively minor characters who steal the show. The
fifteen-year old maid Ruby (Jennifer Dzialoszynski) steals the scenes that she
is in. She is outdone by Mary Haney as Mrs. Northrop, the cook, who is
frequently drunk, totally fearless and utterly hilarious.
There is one
more show stealer in the photographer Henry Ormonroyd who is always drunk and
uproariously funny. Peter Krantz sports a huge moustache, slovenly clothes and
excellent comic acting. as you may suspect, there is "another woman" in the plot and in this case it is the entertaining Lottie Grady played by Fiona Byrne.
Priestley’s
characters do develop amid the farcical elements of the play and there are
satirical and touching components in the dialogue. Ziegler paces the
performance very well and the cast manages to give us an indication of
Yorkshire brogue even if at times I did not catch every word.
The panelled
siting room of the Helliwells with stairs leading to the bedrooms is pleasant
and done well by Set Designer Ken MacDonald.
You will get a
lot of laughs, some interesting characters, a visit to a world long gone when
marriage meant so much and quite a marvellous evening at the theatre.
______
When We Are Married
by J. B. Priestley continues in repertory until October 26, 2014 at the Royal
George Theatre, Niagara-on-the-Lake, Ontario. www.shawfest.com.
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