James Karas
Alice in Wonderland by Lewis Carroll
adapted and directed by Peter Hinton.
Music be Allen Cole. Set Designer Eo Sharpe,
Costumes by William Schmuck,
Projections by Beth Kates and Ben Chaisson
Cast
Tara Rosling, Graeme Somerville, Moya O’Connell
Kyle Blair, Donna Belleville, Ben Sanders,
Jennifer Phipps, Guy Bannerman, Neil Barclay
Elodie Gillett, Patty Jamieson, Kiera Sangster,
Jonathan Tan
Continues in repertory at the Festival Theatre,
*** (out of five)
The Shaw Festival seems to have spared no
expense or effort in its presentation of a musical version of Alice in Wonderland. Lewis
Carroll’s novel has been adapted for the stage and directed by Peter Hinton and
there were high expectations for the production.
And indeed it is a most colourful and
beautifully designed piece. The costumes by William Schmuck are a sight to
behold and with all the wonderful characters that Carroll provides the
opportunities are ample. The result is spectacular.
The cast of Alice in Wonderland. Photo by David Cooper.
The set by Eo Sharpe, the projections
designed by Beth Kates and Ban Chaisson, from a lake to Alice’s descent into
Wonderland and many others are stunning with the lighting design by Kevin LaMotte
adding to the sheer spectacle and kaleidoscope of colours.
All of the above add up to the highest and
best production values one could wish for in a musical. But production values
are not enough to make for a grand evening at the theatre. After about two and
a half hours of watching Alice in Wonderland one was tempted to use the
b-word as the ultimate impression of the music and text. Not boring but bland.
There are almost one hundred characters on
the stage, if I counted them correctly. Many of the actors take three or four roles.
The familiar ones all are there. Alice (a very spry and convincing Tara
Rosling), White Rabbit (Ben Sanders), the Queen of Hearts (Moya O’Connell), the
Mad Hatter (Graeme Somerville), the King of Hearts (Jay Turvey) and the rest.
Peter Hinton has added about twenty members of Alice’s family in Oxford as a prologue
and epilogue to Carroll’s book without necessarily improving it.
The cast of Alice in Wonderland. Photo by David Cooper.
We are taken through a number of episodes
that Alice experiences in Wonderland after she falls through the rabbit hole.
As I said they are indeed colourful with impressive theatricality but they are
not really entertaining. There are a few laughs but they do not engage us. What
is missing is sufficient content.
The music and songs by Allen Cole range from
the cute to the banal. I cannot recall a single tune a few hours after the
performance.
It is unfortunate that such wonderful
production values did not get the music, text and humour to give us a great
night at the theatre.
I couldn't agree with you more. Despite my initial gasp of awe when the curtain went up, I quickly fell asleep.
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