James Karas
The Toronto Fringe’s Next Stage Theatre Festival presents plays that are
innovative, push the boundaries of conventional drama and often are works in
progress.
WESTERN, a play with music by Matthew Gorman (text) and Gordon Bolan (music) may have a portion of
all those characteristics and faces all the pitfalls of such an endeavor.
Jocelyn Adema on fiddle and Gordon Bolan on guitars and banjo play a
number of songs from “Amazing Grace” to “Someday I will see you in heaven” and
provide instrumental accompaniment to some of the action and some sound
effects. That is the “with music” part of the title and it does provide a
“Western” feel even if the play is set in that milieu only tangentially.
The cast of Western, a play with music.
The play is presented by four actors, two men (Sam Kalileh and Brendan
Murray) and two women (Mairi Babb and Caroline Toal). The music, some of the
accents, the sheriff with the Stetson and the set suggest that it is set in the
West but as far as I could tell it was set in a fantasy world.
The plot and the dialogue are opaque and frequently confusing. There is
a murder and a search. There is the story about the rabbit and the search for
the murderer but all plot turns are uninteresting or completely forgettable.
The fantasy world of the West that Gorman wants to create and portray simply
does not come off.
The four characters involved seem to have names according to the
programme, but I do not recall hearing them called by their name during the
performance. That may be a sign of how much difficulty I had focusing on the
action. According to the actors’ biographies part of the programme, Mairi Babb
is “Nance”, Sam Kalileh is “Reach,” Brendan Murray is “Dirt” and Caroline Toal
is “Jenet.” No doubt the names give clues to the characters but I missed them
as I must have missed their names. The cast list in the programme does not
indicate what parts the actors play which is annoying.
WESTERN may well be a play in gestation. Gorman and
Bolan no doubt have a vision of the world they want to create in their play and
the dramatic effect of their creation. They need to do it more clearly and
evocatively so that they share their vision with us.
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