Reviewed by James Karas
The Division is a stunning play
written and directed by Andew Kushnir. It is a family saga, more specifically
the search by Kushnir of the story of his grandfather Petro Kushni. Petro was a
talented watchmaker and he gave Andrew an intricate pocket watch. Petro fought
in World War II in Ukraine when he was a young man and emigrated to Canada. Andrew
had wonderful memories of his beloved grandfather and when he died, he wrote a
eulogy about him in The Globe and Mail. Someone sent a letter pointing out that
Petro was a member of the murderous SS Waffen in Ukraine and may have
participated in the holocaust of Jews and Poles during the war.
That
startling comment sent Andrew in search of his grandfather’s past and more
specifically his membership in the SS Waffen also known as the Galicia
Division. which was made up of Ukrainian volunteers serving under German
officers.
The
play has a cast of five actors, Karl Ang, Ivy Charles. Mariya Khomutova, Daniel
Maslany and Alon Nashman. Maslany plays Andrew Kushnir. The other four of this incredibly
talented group play numerous roles of people in his family and that he met in his
research. Kushnir opens and structures the play round the writing
of a letter to his nephew who is only three years old. He is writing the letter
today intending it to be read about 15 years later when his nephew is of age.
The
drama unfolds from before World War II in
Ukraine with the extended Kushnir family history to life in Canada and Andrew’s subsequent
search for information about Petro. The actors take on roles of family members right
up to his interview with an elderly Polish couple, played beautifully by Mariya
Khomutova and Alon Nashman. They are living
outside Liverpool, England. The man of
97 years and his wife are frail and decent people and in a long and moving
scene recall atrocities including the mass murders of Polish people by Ukrainians.
The reason: hatred.
Mariya Khomutova & Alon Nashman. Photo by Dahlia Katz
There is no doubt that Petro was a member of the 1st Division of the Ukrainian National Army but as the letter writer to the Globe and Mail noted it is better known in the West as German 14 Waffen Division SS Galizien. Andrew does not uncover any evidence of his grandfather’s involvement in mass murders.
Kushnir,
as the author and director of the play, writes about himself. His family and
his search about his grandfather. He asks if Ukraine will still exist as a
nation fifteen years from now and if Ukrainians can ever forgive Russia for its
current atrocities against his country. The Ukrainians had every reason to hate
the Russians before World War II. During the 1930’s Stalin deliberately set out
to destroy millions of Ukrainians because they did not cooperate with his collectivization
plans. The actions that he took to destroy the national aspirations of the
people has been rightly classified as a genocide. Was it ten million or four
million? What is the difference?
In
the 19th century, Russia forbade the teaching of Ukrainian in
Ukraine in order to suppress their nationalist aspirations and make them Russians.
The famine and the suppression of Ukraine were within recent memory during
World War II. Is it probable that the young Ukrainians including the 17-year
old Petro Kushnir volunteered to join the 1st Division of the
Ukrainian National Army as a statement about how he felt about Russia and not
as an expression of support for Hitler? They
probably knew very little if anything about the holocaust. Did Germany look
like a good ally against monstrous Russia?
Sim
Suzer and Niloufar Ziaee provide intelligent designs for the small playing area
with only several pieces of furniture and projections of maps to illustrate
points of interest.
The play is powerful, moving and captivating. Andrew Kushnir has honored his grandfather, his family and Ukraine while spitting at Putin and Russia. He has won a significant badge of honor. He is not allowed to set foot in Russia.
The Division written and directed by Andrew Kushnir in a production by Project: Humanity & Pyretic Productions in association with Crow’s Theatre will run until May 17, 2026, at Crow’s Theatre Studio, 345 Carlaw Avenue, Toronto, Ontario. http://crowstheatre.com/
James Karas is the Culture Editor of The Greek Press, Toronto.

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