Bethany Jillard, Irene Poole. Photography
by Cylla von Tiedemann.
Reviewed by James Karas
What is time?
If you go to the Tarragon
Theatre and see John Mighton’s The Little Years, time may mean the
ninety minutes between 8:00 and 9:30, the length of the performance.
After seeing the
play, you will realize that time is an extremely complex matter understood by
very few ordinary mortals. Can you imagine being in one place at two different
times? I mean you are 14 and 26 years old and you are in one place, meeting
yourself, so to speak. That’s nothing compared to singularities and other words
used by scientists to describe “what is time” or “what time is lunch?”
The abstract but
complex idea of what is time can tax the best brains of the world and one might
consider it as a poor backdrop for a stage play. John Mighton, who seems to be
a brilliant mathematician, puts the concept of time center-stage in The Little Years.
The main character of
the play is Kate whom we see at various stages of her life from age 14 to 59
and perhaps older. The play moves in fragmentary scenes and the chronology is
not always clear. Young Kate (played by Bethany Jillard) is painfully awkward
and caught in the attitude towards women of the 1950’s. The brilliant Kate is
steered into a vocational school where she can take stenography.
Kate, however, has
more serious problems than social ineptness and not being allowed to study
mathematics and ending up in a dead-end job. Her problems are so serious that
she ends up in a psychiatric facility. The mature Kate (played by Irene Poole)
is a pathetic person, working in a job that she hates and waiting for
retirement. Jillard and Poole give different aspects of the troubled genius
very expertly.
Kate’s mother Alice
does not know quite what to do with her troubled daughter because she cannot
see past the social limitations of her time. We see Chick Reid as a young woman
with teenage children and as Alice in a nursing home. Fine work by Reid in the
role.
Kate’s aunt Grace
(Pamela Sinha) is an interesting character. She is seems to understand Kate but
cannot really help her. She has found her own way of surviving the social strictures
of the time. She is a free spirit to some extent and creates her own life while
her celebrated husband William travels around promoting his work and himself.
William is Kate’s
brother and perhaps the most interesting character after Kate. We never see him
but his shadow is always visible. He is a famous and successful poet who
travels all over the world. He is the antithesis of Kate. Is it because of
different attitudes towards boys in the 1950’s or partly because of his
mother’s attitude towards him or because he has a different personality?
We do meet Roger (Ari
Cohen), the Barry Manilow of artists, who is ridiculed by Kate as an asshole
and as a shallow person. He falls between the arrested development of Kate and
the glowing success of William as a middle-of-the-road painter who enjoys
ephemeral success. He becomes depressed as he considers what will be left of
his work in the long run.
The play hangs its
proverbial coat on the lives of its characters with a backdrop of complex ideas
about time, space and art. I cannot say that the abstract ideas and the human
beings of the play are married happily in order to produce a very good play and
a very good production. Nevertheless, this is highly intelligent and
provocative theatre.
Director Chris
Abraham and Set and Costume Designer Julie Fox turn the seating area of the Tarragon
Theatre into an L shape and the stage has a bright white floor and a few props.
We go through a number of decades until an old Kate meets her niece Tanya
(played by Jillard). This young lady is her father William’s daughter in attitude
with Aunt Kate’s brains and a different social milieu. Unlike Kate, Tanya is allowed to study mathematics
and get all the awards and rewards for her brilliance that her aunt never saw.
We are back at the beginning.
How times have changed.
_____The Little Years by John Mighton opened on November 14 and will run until December 16, 2012 at the Tarragon Theatre, 30 Bridgman Ave.
Uh... okay. Except for one recast, it the SAME production as this: http://jameskarasreviews.blogspot.ca/2011/09/little-years-shallow-play-has-little-to.html
ReplyDeleteAmazing how "shallow" has gone to "intelligent and provocative".
Dear Anonymous - you are quite right. I reserve the right to view productions on second and third viewing from different angles, concentrate on different arguments and reach complementary conclusions. The abstract ideas and huamn beings do not make a very good play or a very good production, but if you concentrate on the ideas, they are quite provocative.
DeleteMany thanks for noticing. Arguing about productions is the next best thing to going to the theatre.
JK