Seeing a good production of
Arthur Miller’s The Crucible is like receiving a powerful and unexpected punch
in the face. It leaves you stunned, dazed, breathless, furious and wondering in
disbelief how it could have happened.
The witch trials of 1692 in Salem
did happen and people were tortured and hanged by judges who ardently believed
that they were doing the work of God in the fight against witches possessed by
the devil.
Jonathan Goad directs a
production that takes unerring aim at your face and delivers an unforgettable
punch. He works with a cast that can deliver all the brutality, fanaticism, self-righteousness,
arrogance, terror, tragedy and the small centre of decency to give us an
unforgettable night at the theatre.
Members of the company in The Crucible. Photography by Cylla von Tiedemann.
In a strict, Puritan village,
girls are found dancing in the forest. They must have been conjuring spirits or
they are possessed by the devil. Hysteria takes over most villagers like a
raging disease and the “experts” are called to find the witches and punish
them. It may be hard for us to conceive of the evil unleashed by searching
imaginary powers that possess people, but a hard look at the activities of the
House Un-American Activities Committee (HUAC) and Senator Joseph McCarthy’s
hearings may fill you in. It was one of many witch-hunts,
lest we take comfort in thinking they are rare occurrences.
The protagonist of The Crucible is a farmer named John
Proctor and Tim Campbell turns in a magnificent performance in the role. This
Proctor is big and muscular with a booming voice and he tries to negotiate life
within the strictures of the Puritan ethic around him and maintain his right to
make up his own mind and protect his dignity. He has committed a sin that his
wife Elizabeth (Shannon Taylor) attributes to her coldness. In the end Campbell
raises Proctor to heroic stature.
Scott Wentworth as Reverend
Parris is a small, grasping, evil man who craves respect and control of the
people but gets very little of either and deserves none.
The more interesting character is
Reverend Hale played with compassion and conviction by Rylan Wilkie. He is a
young intellectual who has no doubt about the existence of witches or his
ability to ferret them out. His humanity makes him realize that the arrests and
trials of the farmers of Salem is a fraud. A marvelous portrayal by Wilkie.
The most frightful and powerful
person is Deputy Governor Danforth played by Wayne Best. Best as Danforth has a
piercing, clarion voice, an arrogant manner, a bullying style and a
contemptuous attitude towards people. He believes ardently that he is doing the
work of God and the idea that he is doing great evil would never occur to him.
Best gives us a superb and frightful portrait of a purveyor of evil who is
deluded into thinking he is a paragon of virtue.
Tim Campbell as John Proctor and Shannon Taylor as Elizabeth
Proctor in The Crucible.
Photography by Cylla von Tiedemann.
The centre of decency and common
sense is held by Rebecca Nurse. A fine performance by Maria Vacratsis whose
Rebecca represents a hopeless oasis in the midst of hysterical evil and
injustice.
The hysteria of the girls is
quite frightful and convincing. The screams, the contortions, the choreography
of their actions are superb. I will give their names and kudos for fine acting
to the actors. Ijeoma Emesowum is Tituba, Aviva Goad is Betty, Katelyn
McCulloch is the ring leader as the vengeful Abigail, Déjah Dixon-Green is
Susanna, and Mamie Zwettler is Mary Warren.
The farmers like Thomas Putnam
(Sean Arbuckle), Giles Corey (John Dolan) and Francis Nurse (Rod Beattie)
represent self-interest, decency, fear, some rational thinking and evil. They
represent humanity in terrible times under terrible conditions.
The cast of twenty-two is an
amazing ensemble that give exceptional performances.
The set by Michael Gianfrancesco
consists of a plain, dark paneled wall with some tables and chairs except for
the opening scene where there is a bed. It is simple and does the job.
A great night at the theatre. Not
to be missed.
_____
The Crucible by Arthur
Miller opened on August 1 and will continue in repertory until October 25, 2019
at the Avon Theatre, 99 Downie Street, Stratford, ON N5A 1X2. www.stratfordfestival.ca
James Karas is the
Senior Editor – Culture of The Greek Press. www.greekpess.ca
Saw it today and agree! A tense drama performed by an outstanding Company.
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