Girl from
the North Country presents an interesting and
original marriage of a dramatic play by Conor McPherson with the songs of Bob
Dylan. The originality lies in the blending or weaving of the songs into the
plot of the play naturally and seamlessly. You will hear some twenty of Dylan’s
songs or parts of them but they are sung as integral parts of the play and not
as stop-the-show performances and applaud-at-the end.
The other
interesting aspect of the musical is the fact we are watching the broadcast of a
radio play. In the opening scene, Dr. Walker (Ferdy Roberts) steps up to an
old-style microphone and announces that that tonight’s story takes place in a
guesthouse in Duluth, Minnesota in the winter of 1934. He takes the microphone several times during
the performance as a character and an omniscient narrator.
The characters
who sing also step up to the microphone to perform despite the fact that this
is not a concert of Dylan’s hits. McPherson, who also directs the show, calls
the musical "a conversation between the songs and the story."
The cast of GIRL FROM THE NORTH COUNTRY.
Photo by Cylla von Tiedemann, 2019.
Songs can
express what the characters cannot, or describe their true feeling despite what
they say. For example, when Katie (Gemma Sutton) leaves Gene (Colin Bates) to
marry someone else, they part haltingly and then express their true feelings in
the song “I want you.”
The plot that
McPherson has crafted is an old-style story about a number of people in a
run-down guesthouse during the Depression. But this is no Annie and
there is no millionaire Mr. Warbucks. Nick Laine (Donald Sage MacKay) owns the
guesthouse. He is broke, about to be foreclosed on by the bank, has a wife with
dementia, a rebellious, loser, dreamer of son (Gene played by Colin Bates) and
an adopted pregnant daughter. Not to mention the guilt he carries from
childhood which is important.
Marianne (Gloria
Obianyo), Nick’s adopted daughter, is 19, black, pregnant and refuses to
disclose the name of the father. Nick wants her to marry Mr. Perry (Sidney
Kean), a shoe mender and a good man in his late sixties. He proposes marriage
and she sings the song with the refrain “Has anybody seen my love” and refers
to Madame Butterfly, another young girl who was impregnated and abandoned.
Nick’s wife
Elizabeth (Katie Brayben) in addition to being demented speaks of her
promiscuity and has other issues.
Reverend Marlowe
(Finbar Lynch) sells bibles. Joe Scott
is a boxer who did three years in a penitentiary and is now living under bridge
and hoping to make a comeback. Mr. and Mrs. Burke (David Ganly and Anna-Jane Casey respectively) have their
share of troubles including serious financial and marital difficulties and
their son Elias (Steffan Harri) who is a grown man with the mental capacity of
a child. His fate is worthy of attention.
Katie Brayben and Shaq Taylor in GIRL FROM THE NORTH COUNTRY.
Photo by
Cylla von Tiedemann, 2019.
The interwoven
and often tragic stories of the play are drawn with McPherson’s masterful hand
and the play alone is worth seeing. Dylan’s songs add a significant layer of subtlety
and drama that take the play well out of a good drama.
The performances
of the cast are praiseworthy for their depth and variety. They are performing a
part in a drama and they also have to step up to microphone and sing. The musicians
are on the stage and the set designed by Rae Smith is appropriate without being
overladen. After all we are watching a radio play being broadcast from a
rundown guesthouse and the impression of the latter is sufficient.
Girl from the
North Country has a great deal to offer and is worth
seeing more than once. That is the highest compliment one can pay a theatrical
work.
________________
Girl from the North Country by Conor McPherson (book) and Bob Dylan (music
and lyrics) continues until November 24, 2019 at the Royal Alexandra Theatre,
260 King St. W. Toronto, Ont. www.mirvish.com
James Karas is the Senior Editor - Culture of The Greek Press
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