JAMES KARAS - REVIEWS AND VIEWS

Tuesday, April 28, 2026

MOULIN ROUGE! THE MUSICAL - REVIEW OF 2026 PRODUCTION AT THE CAA ED MIRVISH THEATRE

›
Reviewed by James Karas MOULIN ROUGE! THE MUSICAL by John Logan is back at the CAA Ed Mirvish Theatre about seventeen months after its las...
Monday, April 27, 2026

PELLÉAS ET MÉLISANDE – REVIEW OF 2026 OPERA ATELIER PRODUCTION

›
Reviewed by James Karas   I consider Opera Atelier a beacon of civilization on Toronto’s horizon. It has produced baroque operas since 198...
Saturday, April 25, 2026

CLYDE’S – REVIEW OF 2026 CANADIAN STAGE PRODUCTION

›
Reviewed by James Karas   Playwright Lynn Nottage’s interest and affinity with the downtrodden of the earth continues with her play Clyd...
Tuesday, April 21, 2026

TRISTAN UND ISOLDE – REVIEW OF 2026 LIVE FROM THE MET PRODUCTION

›
Reviewed by James Karas New York’s Met Opera has a new production of Richard Wagner’s Tristan und Isolde and it transmitted it to hoi pol...
Saturday, April 18, 2026

A NIGHT IN VENICE – REVIEW OF 2026 TORONTO OPERETTA THEATRE PRODUCTION

›
Reviewed by James Karas The Toronto Operetta Theatre wraps up its current season with a production of Johann Straus II’s A Night In Venice...
Friday, April 17, 2026

STRIFE - REVIEW OF 2026 PRODUCTION AT TARRAGON THEATRE

›
Reviewed by James Karas   Strife represents a welcome voice of Canada’s indigenous people speaking for themselves. On opening night of ...
Friday, April 10, 2026

THE IMPORTANCE OF BEING EARNEST – REVIEW OF 2026 PRODUCTION AT THE GRAND THEATRE IN LONDON ONT.

›
Reviewed by James Karas If you have not seen Oscar Wilde’s The Importance of Being Earnest recently, you should head for London, Ontario ...
‹
›
Home
View web version

About Me

View my complete profile
Powered by Blogger.