Tuesday, October 29, 2024

ACIS AND GALATEA – REVIEW OF 2024 OPERA ATELIER EXQUISITE PRODUCTION

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Reviewed by James Karas Seeing Acis and Galatea by George Frideric Handel at the gorgeous Elgin Theatre in Toronto is like being handed a...
Sunday, October 27, 2024

GROUNDED – REVIEW OF 2024 LIVE FROM THE MET PRODUCTION

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Reviewed by James Karas Grounde d is a powerful new opera by Jeanine Tesori (music) and George Brant (libretto) that was commissioned and...
Monday, October 21, 2024

LES CONTES D’HOFFMANN – REVIEW OF 2024 LIVE FROM THE MET PRODUCTION

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Reviewed by James Karas Live from the Met in HD is back with eight productions streamed directly from New York to a theatre near you. This...
Saturday, October 19, 2024

LA CLEMENZA DI TITO – REVIEW OF 2024 PACIFIC OPERA PRODUCTION

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Reviewed by James Karas Victoria, the capital of British Columbia, is a city of fewer than one hundred thousand residents, that has a rich...
Friday, October 11, 2024

GIFFT 2024 – REVIEW OF LISTEN AND LISTEN TO WHO’S TALKING

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  Reviewed by James Karas  The Greek International Film Festival Tour (GIFFT) is back for the month of October 2024 featuring a wide range...
Wednesday, October 9, 2024

THE THANKSGIVING PLAY - REVIEW OF 2024 PRODUCTION AT CAA THEATRE

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Reviewed by James Karas The Thanksgiving Play is a weird play that I have difficulty classifying. It is a satire no doubt about ambitious...
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Tuesday, October 8, 2024

ROBERTO ZUCCO – REVIEW OF 2024 BUDDIES IN BAD TIMES PRODUCTION

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  Reviewed by James Karas The blurb on the website of Buddies in Bad Time Theatre about Bernard-Marie Koltes’ play Roberto Zucco reads a...