JAMES KARAS - REVIEWS AND VIEWS

Tuesday, October 31, 2023

A POEM FOR RABIA – REVIEW OF NEW PLAY AT TARRAGON THEATRE

›
Reviewed by James Karas The announcement of the production of a new play is always met with excitement and a bit of trepidation. The latter ...
1 comment:
Monday, October 30, 2023

ORPHEUS AND EURYDICE – REVIEW OF 2023 OPERA ATELIER PRODUCTION

›
Reviewed James Karas   Opera Atelier, a prime example of civilization in Toronto, has produced Gluck’s Orpheus and Eurydice for its fall ...
Tuesday, October 24, 2023

THE PIRATES OF PENZANCE – REVIEW OF 2023 TORONTO OPERETTA THEATRE PRODUCTION

›
Reviewed by James Karas   Toronto Operetta Theatre, alive and well, has mounted a redoubtable production of The Pirates of Penzance in fro...
Saturday, October 21, 2023

WILDWOMAN – REVIEW OF SOULPEPPER PRODUCTION

›
Reviewed by James Karas   Wildwoman is a new play written and directed by Kat Sandler and playing at the Young Centre in a production by S...
Thursday, October 19, 2023

HEROES OF THE FOURTH TURNING - REVIEW OF ARBERY’S PLAY AT CROW’S THEATRE

›
Reviewed by James Karas   Heroes of the Fourth Turning by Will Arbery is an extraordinary play that has several unique features. It is se...
Friday, October 13, 2023

APPROPRIATE - REVIEW OF COAL MINE THEATRE PRODUCTION

›
Reviewed by James Karas This is a rave review of Appropriate, a play by Branden Jacobs-Jenkins now playing the Coal Mine Theatre. Reading ...
Wednesday, October 11, 2023

LA BOHÈME - REVIEW OF 2023 CANADIAN OPERA COMPANY PRODUCTION

›
Reviewed by James Karas Puccini’s La Bohème   is one of the most reliable crowd pleasers and the Canadian Opera Company has wisely revived...
4 comments:
‹
›
Home
View web version

About Me

View my complete profile
Powered by Blogger.