JAMES KARAS - REVIEWS AND VIEWS

Friday, December 30, 2022

DIE FLEDERMAUS – REVIEW OF 2022 TORONTO OPERETTA THEATRE PRODUCTION

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Reviewed by James Karas The energetic and only-one-of-its-kind-in-Canada Toronto Operetta Theatre is never far from one of the best operet...
Thursday, December 22, 2022

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT – REVIEW OF 2022 PRODUCTION AT THE PRINCESS OF WALES

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Reviewed by James Karas   Joseph And The Amazing Technicolor Dreamcoat is an early work by Andrew Lloyd Webber and Tim Rice that has been ...
Tuesday, December 20, 2022

A CHRISTMAS CAROL – REVIEW OF 2022 PRODUCTION AT CAMPBELL HOUSE, TORONTO

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Reviewed by James Karas   As sure as Jacob Marley is dead, Campbell House is not a theatre. City of Toronto Records,   countless lawyers w...
Monday, December 12, 2022

FISHERMAN’S FRIENDS: THE MUSICAL – REVIEW OF SHOW ABOUT CORNISH SINGERS AT THE ROYAL ALEXANDRA THEATRE

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Reviewed by James Karas The fishermen of the title are a group of men from Cornwall who were in fact mostly fishermen and enjoyed singing in...
Monday, December 5, 2022

THE BIRDS – REVIEW OF BYGONE THEATRE PRODUCTION

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  Reviewed by James Karas   It was a dark and stormy night, sometime in the past, perhaps the 1950’s, in an isolated cottage with no telep...
Thursday, December 1, 2022

WHITE CHRISTMAS - REVIEW OF 2022 SHAW FESTIVAL REVIVAL OF A CLASSIC

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Reviewed by James Karas   The Shaw Festival has wisely chosen Irving Berlin’s White Christmas for its holiday season together with A Chri...
Tuesday, November 29, 2022

RED VELVET - REVIEW OF CROW’S THEATRE PRODUCTION OF CHAKRABARTI’S PLAY

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Reviewd by James Karas Something astounding, unprecedent and almost earth-shaking took place in London, England in 1833. A black American ...
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