Saturday, April 25, 2020

SHAKESPEARE FIGHTS COVID-19 TWELFTH NIGHT FROM THE NATIONAL THEATRE

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Reviewed by James Karas The National Theatre is doing its bit to help us survive the covid-19 pandemic by enlisting Shakespeare and br...
Thursday, March 12, 2020

THE EVENTS - REVIEW OF NECESSARY ANGEL THEATRE PRODUCTION

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James Karas Alan Dilworth, the director of The Events , describes the play as “one of the most simple and yet complex” he has ever encou...
Tuesday, March 10, 2020

OIL – REVIEW OF ARC PRODUCTION OF ELLA HICKSON’S PLAY

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Reviewed by James Karas OIL  is an extremely ambitious play by British playwright Ella Hickson. It premiered in London in 2016 and ARC i...
Monday, March 9, 2020

HISTORY OF GREEK SONG – REVIEW OF ChiJazz PERFORMANCE AT GREEK COMMUNITY

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Reviewed by James Karas If you think a program titled The History of Greek Song – Part II is some boring lecture for students of cul...
Sunday, March 8, 2020

H.M.S. PINAFORE – REVIEW OF 2020 TORONTO OPERETTA THEATRE PRODUCTION

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Reviewed by James Karas Can you go wrong by producing H.M.S. Pinafore? Neither can Toronto Operetta Theatre in its staging of Gil...
Thursday, March 5, 2020

BOX 4901- REVIEW OF BRIAN FRANCIS’ PLAY AT BUDDIES IN BAD TIMES

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James Karas Box 4901 is a new play by Brian Francis that is based on a simple and unprepossessing premise yet manages to deliver a wo...
Wednesday, March 4, 2020

US/THEM - REVIEW OF CARLY WIJS PLAY AT CAA THEATRE

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By James Karas Us/Them is an incredible play that goes beyond the usual limitation of theatre and leaves one astounded by its accomplis...