Wednesday, January 29, 2020

SWEAT – REVIEW OF LYNN NOTTAGE’S PLAY

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James Karas Lynn Nottage’s Sweat is a powerful play that examines the tragic lives of factory workers in   Reading, Pennsylvania as thei...
Tuesday, January 28, 2020

JULIUS CAESAR - REVIEW OF GROUNDLING AND CROW’S THEATRES’ PRODUCTION

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James Karas Groundling Theatre Company and Crow’s Theatre offer a production of Julius Caesar that is original, powerful, superbly dire...
Monday, January 27, 2020

SEXUAL MISCONDUCT OF THE MIDDLE CLASSES – REVIEW OF HANNA MOSCOVITCH’S PLAY AT TARRAGON

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Reviewed by James Karas Hannah Moscovitch’s new play, Sexual Misconduct of the Middle Classes, has a tantalizing title and the timing o...
Sunday, January 26, 2020

THE BARBER OF SEVILLE – REVIEW OF 2020 COC PRODUCTION

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Reviewed by James Karas             The Canadian Opera Company dispels Toronto’s winter blues with a delicious production of Rossini’s T...
Thursday, January 23, 2020

RICHARD III - REVIEW OF SHAKESPEARE’S GLOBE PRODUCTION

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Reviewed by James Karas “ A horse! a horse! my kingdom for a horse!” is one of the most famous lines in drama. It is uttered by the mur...
Wednesday, January 22, 2020

COPS – REVIEW OF TORTORA’S PLAY AT SOUTHWARK PLAYHOUSE, LONDON

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James Karas Who dunnit? That is the ultimate question in Tony Tortora’s new play Cops, now playing at the Southwark Playhouse in L...
Tuesday, January 21, 2020

CYRANO DE BERGERAC - REVIEW OF CRIMP’S ADAPTATION IN LONDON

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Reviewed by James Karas Cyrano de Bergerac is playing to packed houses and enthusiastic audiences at the Playhouse Theatre in London. ...