Thursday, January 16, 2020

A KIND OF PEOPLE – REVIEW OF BHATTI’S PLAY AT ROYAL COURT THEATRE

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Reviewed by James Karas All white people must be racists (?). All blacks must be victims of racism (?). These are two of the questi...
Monday, January 13, 2020

ANTIGONE – REVIEW OF HOLY WHAT THEATRE PRODUTION

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Reviewed by James Karas Lulu Raczka is a young English playwright who has tackled a part of the great myth of the Royal House of Theb...
Friday, January 10, 2020

A TASTE OF HONEY – REVIEW OF NATIONAL THEATRE PRODUCTION

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Reviewed by James Karas The appearance and success of Shelagh Delaney’s A Taste of Honey became a theatrical legend almost from the ...
Tuesday, December 31, 2019

THE GYPSY BARON – REVIEW OF 2019 TORONTO OPERETTA THEATRE PRODUCTION

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Reviewed by James Karas It’s the holiday season including the celebration of a new year, a new decade and a farewell to 2019. How about...
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Thursday, December 26, 2019

PRESENT LAUGHTER – REVIEW OF TELECAST OF NATIONAL THEATRE PRODUCTION

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Reviewed by James Karas Present Laughter is one of Noe Coward’s best comedies and is centered on the life of a matinee idol, Garry Esse...
Wednesday, December 18, 2019

CASH ME IF YOU CAN - REVIEW OF PATRICK COMBS PERFORMANCE

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James Karas Cash Me If You Can is a one-man show in which a non-actor tells his story about depositing a non-negotiable cheque from one ...
Sunday, December 15, 2019

CHRISTMAS STORY – REVIEW OF TORONTO CONSORT PERFORMANCE

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Reviewed by James Karas If you went to church, specifically to the court chapel of Johann Georg II of Saxony in Dresden, on Christmas da...