Friday, November 29, 2019

HERE ARE THE FRAGMENTS - REVIEW OF THEATRE CENTER PRODUCTION

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James Karas  If you think of theatre as an auditorium or a room where you sit and watch a performance, then hold onto your seat. Better s...
Wednesday, November 27, 2019

BETWEEN BREATHS – REVIEW OF PLAY ABOUT JON LIEN AT FACTORY THEATRE

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James Karas Can you write an effective play and illustrate the life of a humanitarian scientist who devoted much of his life to rescuing...
Monday, November 25, 2019

BUFFOON – REVIEW OF NEW PLAY BY ANOSH IRANI AT TARRAGON

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Reviewed by James Karas Buffoon is a new play by Anosh Irani that showcases the immense acting talent of Anand Rajaram. He gives a solo...
Wednesday, November 20, 2019

AMADEUS – REVIEW OF FOLGER THEATRE PRODUCTION IN WASHINGTON

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By James Karas Peter Shaffer’s Amadeus was a smash hit forty years ago in London and around the world and was transferred into one of...
Sunday, November 17, 2019

COPY THAT – REVIEW OF NEW PLAY BY JASON SHERMAN AT TARRAGON

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Reviewed by James Karas Jason Sherman’s new play Copy That opened at the Tarragon Theatre and one is hard pressed to come to grips with ...
Thursday, November 14, 2019

MADAMA BUTTERFLY - REVIEW OF 2019 REVIVAL AT THE MET

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Reviewed by James Karas Anthony Minghella’s production of Madama Butterfly premiered at the English National Opera in London in 2005 an...
Tuesday, November 12, 2019

LET’S RUN AWAY – REVIEW OF DANIEL MACIVOR’S ONE–MAN SHOW

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Reviewed by James Karas Daniel MacIvor is a man of the theatre with playwriting, acting and directing to his credit. He has also made fo...