Tuesday, February 26, 2019

LITTLE MENACE: PINTER PLAYS – REVIEW OF SOULPEPPER PRODUCTION OF SHORT PLAYS

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Reviewed by James Karas Soulpepper, having solidly established itself as Toronto’s premier classical theatre company, offers us a gift o...
Monday, February 25, 2019

THE ANGEL SPEAKS – REVIEW OF OPERA ATELIER CONCERT AT THE ROM

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Reviewed by James Karas Every city deserves a Marshall Pynkoski and a Jeannette Lajeunesse Zingg but very few have even one let alone...
Wednesday, February 20, 2019

MULES - REVIEW OF THEATREFRONT PRODUCTION OF NEW PLAY

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James Karas Holy, feces! Mules is a powerful new play that starts on an emotional pitch that keeps increasing until the lights go d...
Monday, February 18, 2019

OSLO - REVIEW OF STUDIO 180 PRODUCTION AT CAA THEATRE

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By James Karas Oslo is a big play that tackles a very big subject. Playwright J.T. Rogers takes on the secret negotiations between Pales...
Friday, February 15, 2019

THE FATHER - REVIEW OF COAL MINE THEATRE PRODUCTION

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Reviewed by James Karas The Father is a beautiful play about a beautiful mind in the throes of dementia. It is about a man suffering fr...
Wednesday, February 13, 2019

COME FROM AWAY – REVIEW OF REVIVAL OF LEGENDARY CANADIAN MUSICAL

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James Karas Calling a musical that opened less than four years ago legendary, may strike some as a bit of a stretch. It is not. Come...
Monday, February 11, 2019

COSI FAN TUTTE – REVIVAL OF EGOYAN’S SUPERB COC PRODUCTION

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James Karas The Canadian Opera Company has very wisely revived Atom Egoyan’s 2014 production of Cosi Fan Tutte to go along with Richard ...