Thursday, October 11, 2018

WHAT IF ROMEO AND JULIET… – REVIEW OF YOUNG PEOPLE’S THEATRE PRODUCTION

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Reviewed by James Karas What if Romeo and Juliet… is a retelling of the story of the star-crossed lovers including the rhetorical ques...
Friday, October 5, 2018

THE CHILDREN – REVIEW OF CANADIAN STAGE PRODUCTION OF KIRKWOOD’S PLAY

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James Karas The Children may well be described as a domestic drama dealing with the eternal triangle. Robin (George Johnson) and Hazel ...
Wednesday, October 3, 2018

THE DYBBUK - REVIEW OF GESHER THEATRE PRODUCTION OF NEW VERSION

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Reviewed by James Karas How about a play performed in Hebrew with English and Russian surtitles put on by an Israeli theatre company t...
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Friday, September 21, 2018

A NUMBER – REVIEW OF CARYL CHURCHILL PLAY AT WYCHWOOD

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James Karas In 1996, Dolly became world-famous on the day of her birth. For those with a short memory. Dolly was a Scottish sheep that w...
Wednesday, September 19, 2018

I CALL MYSELF PRINCESS – REVIEW OF NEW PLAY BY JANI LAUZON

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James Karas I Call myself Princess is an ambitious new play by Jani Lauzon that tackles “half a thousand years” of the history of the in...
Sunday, September 9, 2018

SISTERS – REVIEW OF SOULPEPPER’S PRODUCTION OF ADAPTATION OF WHARTON NOVELLA

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Reviewed by James Karas Sisters starts auspiciously enough. The stage of the Michael Young Theatre resembles a cubicle which is open on ...
Thursday, August 30, 2018

BED AND BREAKFAST – REVIEW OF SOULPEPPER PRODUCTION

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Reviewed by James Karas Bed and Breakfast, the title of Mark Crawford’s play, conjures an image of a genial perhaps farcical comedy i...
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