JAMES KARAS - REVIEWS AND VIEWS
Wednesday, September 30, 2015
YOURS FOREVER, MARIE-LOU – REVIEW OF SOULPEPPER PRODUCTION OF TREMBLAY PLAY
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Reviewed by James Karas Yours Forever, Marie-Lou is Michel Tremblay’s frightful portrait of a working class family in the 1960s in Que...
Sunday, September 27, 2015
THE PLAY’S THE THING – REVIEW OF SOULPEPPER PRODUCTION OF MOLNAR’S PLAY
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Reviewed by James Karas The inimitable P. G Wodehouse adapted Ferenc Molnar’s The Play’s the Thing for English speakers and the result...
Friday, September 25, 2015
MARAT/SADE – REVIEW OF SOULPEPPER PRODUCTION OF WEISS’S PLAY
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Reviewed by James Karas Marat/Sade is the short title of Peter Weiss’s play whose full name is The Persecution and Assassination of Ma...
Monday, September 21, 2015
BLIND DATE – REVIEW OF NORTHAN CREATION AT TARRAGON
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Reviewed by James Karas ***** (out of five) Toronto’s redoubtable Tarragon Theatre opened its 45 th season with a fraud. I speak of...
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Monday, September 14, 2015
HAPPY PLACE - REVIEW OF PREMIERE OF PAMELA MALA SINHA’S PLAY AT SOULPEPPER
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By James Karas Happy Place is a new play by Pamela Mala Sinha that just premiered at Soulpepper. It is an interesting play about the l...
Sunday, August 30, 2015
THE ALCHEMIST - REVIEW OF STRATFORD FESTIVAL PRODUCTION
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James Karas A COMPLIMENT: The Stratford Festival gives us a robust, superbly acted and splendidly directed production of Ben Jonson’s T...
Tuesday, August 18, 2015
OEDIPUS REX - REVIEW OF STRATFORD FESTIVAL PRODUCTION
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James Karas The Stratford Festival has taken some strong antihistamines to control its allergy to Greek Drama and produced Sophocles’ O...
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